| The
Little Altar of Don Cristobal |
Review
panelists said:
"A one man tour de force by an extraordinary designer and performer"
"A revelation. He brings the true spirit of Punch to his performance
while following the text of the Lorca play. While presenting
the picture of a spontaneous street show, Blair's work is
precise and well directed."
"A virtuoso and powerful performer."
"A special sophistication and significant polish which showed
me that Blair hadn't wasted his time in the Charville Institute
session he attended some years ago."
also by Blair Thomas...
#27, The Blackbird (2004)
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| Nikolai
Gogol's "The Diary of a Madman" |
Review
panelists said:
"Richard's vision ad direction transformed a difficult literary
work into a moving and powerful work of theater."
"
Daniel Fergus
Tamulonis is charismatic in the lead role. Kathy Mullen (and
John Finch) breathe as one with their puppets. Richard's direction
is totally focused on creating an emotionally engaging truthful
work with no tricks or flashes." |
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Direction
and Design: Richard Termine |
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| Fowl
Play |
Review
panelists said:
"One of the best surprises of the 2001 festival was a show
not on the program. It is a sublime 25 minutes of slapstick
and absurdist comedy, brought to life by a simple, yet distinctive
visual design combined with expert manipulation that manages
double-takes and emotional responses with laser-sharp precision
and clarity."
"This was the most perfectly delightful show I have seen in
a long time."
"This small show with simple puppets exemplified the power of
imagination."
NOTE: Benjamin Nelson is the youngest recipient of this award.
He was 15 years old at the time. Today he attends Stanford University.
also by Magical Moonshine Theatre...
Natalie and "The Widow" (2008)
Animal Folktales of the America's:
Armadillo's Rancho (1998) |
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| Moth
and Moon |
A puppet
play for the whole family Moth and Moon is a story of a child
alone on a small world, self-sufficient but yearning for something
else. It is not until the Moon sends him a friend, in the form
of a Moth, that he realizes what he has been missing. Their
friendship grows quickly as the child shares his world with
his new friend. But, while the child is asleep, the Moon calls
the Moth back. This abrupt ending to an all-too-brief friendship
sets a chain of events in motion that leads to mistakes, forgiveness
and, ultimately, self-awareness. There is no spoken language
in Moth and Moon. The story is told through images and action,
with a tabletop rod puppet, shadow puppets and objects, enhanced
with original music.
also by Sandglass Theater...
Isidor's Cheek (1999)
Never Been Anywhere (1998)
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Company
of Strangers, Finn Campman and Barbara Whitney (Sandglass
Theater) |
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