| Tinka's
New Dress |
| Review
panelists said: "A
complex multi-layered drama on the topic of prejudice
and persecution. A solo marionette full-length evening
of theater. Stunning designs, extraordinary performance,
important topic."
"A
fable based on Czech puppeteers performing during Nazi occupation.
This is the puppet theater's version or answer to "Life
is Beautiful," - expertly staged and performed. Raucous
and sublime at the same time."
"Exquisite puppets, they were alive even without their
puppeteer, you could feel them breathing. Exquisite artistry
- Ronnie was visible, was a part of the show, but you felt
it was the puppets themselves who were doing it. Exquisite
experience - powerful story made stronger and more touching
in the telling."
also by
Ronnie Burkett Theatre of Marionettes...
Street of Blood (2001)
Ten Days on Earth (2007)
Billy Twinkle, Requiem
for a Golden Boy (2009)
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Ronnie
Burkett Theatre of Marionettes |
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| Symphonie
Fantastique |
Review
panelists said:
"An
abstract meditation on the Berlioz score using objects, light
and manipulation to create a magical world, and all performed
within a small tank of water. Mr. Twist has gone where no puppeteer
has gone before, and where many are likely to follow."
"The
imagery materializes the music to augment the experience of
listening with looking."
"Until this show, I had never been enchanted by a performance
that did not have a strong storyline, and characters I cared
about. Yet, I was totally mesmerized by this piece. The only
way I can describe it is slow-motion puppet fireworks! Absolutely
glorious!"
also by Basil Twist...
Petrushka (2001)
The
Araneidae Show and Other Pieces (1997)
Behind
the Lid (2008)
Arias
and Twist (2010) |
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Basil
Twist |
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| Isidor's
Cheek |
Review
panelists said:
"The Puppeteer/narrator used small dolls and props on a
revolving circular table to illustrate a story about a child
who lost his red cheek. The simple adventures of Isidor searching
for his cheek transform his mood from gray to a rainbow of colors.
The small group of diminutive audience members learn a transformational
message in the process of entertainment. The lovely design and
music supplement the charming personality of the performer superbly."
"Ines has crafted a superb gem of a piece which is intimate
and beautifully performed. She is an amazing performer - a true
artist."
also by Sandglass Theater...
Sand (1985-86)
Invitations to Heaven (1990-91)
The Village Child (1993-94)
Never Been Anywhere (1998) |
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Directed
by Eric Bass, design and construction by Jana Zeller
Ines
Zeller Bass - Sandglass
Theater |
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| An
Arabian Adventure |
Review
panelists said:
"These
two performers have crafted a wonderful show with a great intro
and marvelous way of changing the setting by turning the pages
of a large book. The puppets and sets are fine and the show
keeps the audience interested and excited throughout."
also by Tanglewood Marionettes...
The Dragon King (2009)
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| Chinese
TakeOut Theatre |
Review
panelists said:
"Our
host takes our order from a menu of Chinese food names, and
then serves us up our order in the form of several vignettes.
We end our meal with the wheel of fortune cookie.A brilliant
conceptual piece, unique and fully developed. The pieces range
from whimsical to bawdy. Another new direction for a talented
company that is always exploring."
"This
is an amusing, often charming show which displays Andrew's
unique humor and sense of fun. To have a show that varies
with what the audience chooses to 'takeout' is really ingenious
and a new take on our art form. The set, a Chinese take out
box, is a marvel." |
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Andrew
Periale - Perry Alley Theatre |
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| Thumbelina |
Review
panelists said:
"A delightful family theater production in shadows, music,
and witty situation comedy. The craftsmanship and design accomplishments
of the company were outstanding - the audience was shown high
achievement in the vision of the puppets and scenic elements.
It was a crowd pleaser with lovely music, most appropriate to
puppet theater."
'Thumbelina' has everything that fans of Oregon Shadow Theatre
expect -- exquisite, colorful puppets, lively live music, a
strong script and great good humor - combined with something
they don't expect: a "Fractured Fairy Tales" spin
that tells the story through a punningly awful medley of 60's
song hits. It's a clever idea that works and that provides fresh
reason to revisit this classic story." |
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Directed
by Deb Chase - Oregon
Shadow Theatre |
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| Special
Citation |
In addition
to the Citations of Excellence in the Art of Puppetry, UNIMA-USA
proclaimed
George Latshaw to be a "Dean of American Puppetry." |
|
George
Latshaw |
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